Willkommen, bienvenue, welcome…

Well, whaddayaknow, my very first blog! Hello, everyone! Welcome to Patrick’s Cabaret! Hopefully I won’t accidentally hit the self-destruct button on this before I’m done typing, but I think this computer is possessed by a malevolent demon intent on causing me harm. Also, it’s a Mac. Same thing, really.

Plus I’m horrible with technology. Once I borrowed a friend’s cell phone and tried to dial my home number, and somehow I ended up in her address book calling one of her old friends from elementary school.

My name is Gabby Santiago, and I’m a student at Macalester College. About me: my love for reading, writing, and the performing arts is such that it borders on the perverse. Unless you want me to transmogrify into an unstoppable fountain of trivia, never mention linguistics or Star Trek in my presence. I’m currently fulfilling my student employment through an off-campus job at Patrick’s Cabaret. Feel entirely free to slap me in the face with a hatchet if you find the following gushing too saccharine, but THIS IS SO FREAKING COOL!!!!! OH MY GOD! I’M GETTING PAID TO WORK IN A THEATRE!

The Betazoids among you may have sensed some subtle overtones of enthusiasm there.

Anyways, I have been assigned the project of creating a Patrick’s Cabaret blog, the better to spread information and news regarding this shining beacon of awesome. I’ll be interviewing staff and artists, advertising for upcoming shows, and posting information on various themes touched upon by past, current, and future performances.

In later posts you’ll learn more about Patrick’s Cabaret, but here are the basics, straight from our website, www.patrickscabaret.org:

“Patrick’s Cabaret supports artists in their growth and development by encouraging artists of all experience levels to try new things, take risks or present works in progress. We serve a diverse range of artists, from emerging to experienced, from teenagers to seniors. The Cabaret’s first commitment is to serve the needs of local performing artists, specifically reaching out to artists of color and GLBT/queer-identified artists and those with disabilities.

The Cabaret began in 1986 as a single evening where Patrick Scully invited other artists to join him in a show of works-in-progress. The evening proved so successful, and the need for a performing venue to support new work so great, that Patrick’s Cabaret grew rapidly into an essential community resource. Over the next two decades, we have maintained the original formula of presenting a shared evening with artists of mixed artistic disciplines and levels of experience, expanding to fill two weekends each month that have featured literally thousands of performances by local artists.

In the early 1990s, we expanded the concept of cabaret to include theme-specific cabarets and guest-curators, such as Heidi Eckwall’s Sappho Rigolo. The expansion drew new artists and audiences to Patrick’s Cabaret. The number of guest-curators and thematic cabarets grew slowly over the years, and has expanded rapidly since Patrick’s return in 2005.

Once the Cabaret acquired its own space, first on 24th Street, and even more so now on Minnehaha Avenue, the Cabaret proved to be of great value to the local community as an affordable space to rehearse, teach, perform, and hold events. The demand for space has grown, as has our capacity to provide the space while working to keep it cost-effective. Many of our renters are emerging artists.”

Well, that’s it for now! Stick around, and I’ll be posting more stuff soon. Live long and prosper!

And, as promised, more Noche Hispana info

Paulino  Brener, a teacher at the City of Lakes Waldorf School, a passionate artist, and frequent Patrick’s Cabaret guest-curator, has been doing theater and dance in the Twin Cities since 2001. This May 16 and 17 at 8 p.m., and May 17th at 2 p.m, he brings together talented local musicians, dancers, and poets to celebrate la cultura hispana. Nicolas Carter and his daughter Maliya Gorman-Carter  share folk music of Paraguay and Argentina, playing the harp, violin, and guitar. Dario Tangelson, an actor, director and teacher from Argentina, presents the mesmerizing “Dale que va,” in which a ghostly waiter character from a persistent past, stuck in time in a rundown bar from Buenos Aires, comments on life in general from the extreme gloomy logic of the tango spirit. Rebecca Mcdonals will present an original video based on a poem by local poet Teresa Ortiz. Jorge Gonzalez and Rachel Rogness, will perform guitar and violin pieces from Colombia, Argentina, Cuba and Spain. Corazón Latino will present traditional dances from the Northwest region of Argentina, as well as a modern dance which they have choreographed themselves. The trio “Raices” will demonstrate their dedication to the music of Latin America. And last but not least, Wendy Everett and her dance partner will present some traditional Mexican dances.
For more information, or to be put on Paulino’s mailing list, contact him at mail@paulino.info. Tickets will be available at the door, but can also be purchased online at paulino.info. See you there!

 

Noche Hispana

Queer Boys Nite

Now taking submissions for Queer Boys Nite at the Cabaret!
 5-15min sets, looking for dance,performance art,comedy, singin, if you
are a queer boy and have some work ready for the stage, let us know! The
dates of performance are Friday and Saturday, July 17-18. Please send
submissions to arturo@patrickscabaret.org.

Do you have a short film?

“I am not dead yet/I can dance and I can sing/I am not dead yet/I can do the highland fling–”
Also, I can totally post info about upcoming chances for you to display your artistic prowess. I have mad updating skills like that.
Patrick’s Cabaret is looking for MN SHORT FILMS for it’s summer film series, “Movies in the Park (ing Lot)”. We need film/videos on the subject of Food/Health, Festivals, GLBT/Politics and Music Videos. Accepted shorts
films will be played before our the feature presentation, directors will be introduced and comp tickets to Patrick Cabaret will be given to the winning films as prizes. Please send dvds or web links to Mark Wojahn at xlart@comcast.net or 681 17th Ave NE #145 Mpls, MN 55413. DVD submissions will not be returned, there is no submission fee. DEADLINE MAY 14th, 2009.

Kinetic Kitchen Interview with Karis Sloss

Karis Sloss

1. What is it that you love most about the artistic work you do, and why?

I have wanted to choreograph since I was very young. My inspiration has always come from music. When I hear a great piece of music I am just flooded with movement ideas. I feel my work lives in the jazz genre of movement with breaths of other genres. I love the artistic work I do because I feel that it is accessible to audiences. I try to be eclectic in my pieces, so that they are completely different from each other. Audience members can usually find at least one piece that they can feel or relate to.

2. How is performing at Patrick’s Cabaret different from doing so at other venues?

This will be the first time we perform at Patrick’s and I am very excited to be a part of Kinetic Kitchen. I am excited to be a part of a collection of work along with other talented choreographers. It is different performing as a part of Kinetic Kitchen because in this production I am working only as the director and choreographer; I am not having to worry about everything else that goes into producing, as I do in our other productions.

3. What would you say are the major influences on your work?

I think that major influences in my choreography has to be music. Music is my number one influence with a close second being my company. They are so dedicated and present in all of our rehearsals. Putting chopreography on them and seeing how they respond and their passion is truly inspiring. Then I have to tip my hat to all of the choreographers who continue to have a huge influence on me: Jack Cole, Ben Fosse, Jerome Robbins, Garth Fagen, Zoe Sealy, Lewis Whitlock and Daniel Buraczeski.

4.What is one thing about yourself, your work, your philosophy, whatever, that you think should definitely make it into the blog post?

My philosophy in life is keep your dreams close, clear and keep pushing forward, don’t wait for them to happen, make it happen. I am lucky to have the dancers, composers, designers that give so much time, energy to my labor of love EEE. EEE is a close family. When you are lucky to find a group of dancers who are so passionate and dedicated everything else just falls into place. I want them to know how much I appreciate them, and I want to treat them with repect and gratitude. Any successes that EEE has goes to them.

February, Continued

Oh, yeah, this is Minnesota. *shivers* I have a friend who, whenever she’s cold, sings this little rhyme: “I’m a bald bunny and I got no fur, I’m a bald bunny, brr brr brr!”

…what? You expected me to have mentally stable friends?

In any case, to avoid the pitiable plight of the wretched bald bunny this weekend, you should hop on over to the Cabaret, which really warms up quick with the addition of a few dozen people’s body heat. You’ll forget it’s winter! Unless you, you know, look outside. Plus we’ll be serving hot coffee, and possibly hot cider. It’s really past hot cider season, but we had some last time, so we served it in proud defiance of the secret agents of the Cider Police. We’re edgy like that.

And in case the promise of heat is not enough to lure you into our grasp–though if it isn’t, really, I have to ask, did you have all of your sensory apparatus removed?–allow me to hand you our website’s outline for this weekend:

Anne and Kate Johnson                                                                                                                                                                                  Anne and Kate Johnson, The Mountain Mammas, will share the old-time music they have grown to love. While Anne and Kate have settled far from Appalachia physically, their hearts and voices will always be West Virginian. Brought up by the rivers and mountains they love to sing about, the sisters began singing in church and evolved into a harmonizing duo, playing original and traditional music anywhere from coffee shops to campfires. Although Anne and Kate are both songwriters, they enjoy singing old-time mountain music the most, and consider their Mountain Mamma act a tribute to their family and friends back home in the hills.

Mahmoud Hakima presenting “Uncivilized Stories in a Civilized World”

Confession: I don’t have a lot of detail available, so I don’t know what to expect from this show. Other than that it will rock, becasue Mahmoud Hakima is as talented an actor as you could hope to find. Brace yourselves for the awesome.

The Vibrant Ideal

The Vibrant Ideal is a group of energetic young adults who have formed together under the direction of Fringe-Encore Winner, John-Mark Hostetler, to perform cabaret style dance and vocal numbers. Between the ages of 18 and 21, The Vibrant Ideal are bringing the Minneapolis community a fresh new way to look at musical performance. The choreography is hip-hop uniquely infused with modern and enough energy to bring down the house. All performers are pursuing a dance or vocal performance major at the University of Minnesota.

“Sorry, I forgot”
Choreographed and Directed by Molly Stoltz with dancers:
Galen Higgins, Caleb Housely, Mackenzie Beck-Esmay,Lauren Baker,Yui Kanzawa

This original dance/dance theater work was created in collaboration with the cast of five dancers and the choreographer, based on their own experiences and how they interact as humans, and not necessarily artists, during rehearsals. All involved are current dance majors at the University of Minnesota.

The piece is inspired by the human quality of forgetfulness. Every day, it is inevitable that someone will forget something- whether it is their paper for a class, an anniversary, to pick up the kids from school, to turn off the burner, to lock the front door, or to put on their pants in the morning. Sometimes those moments are easily fixed, and at other times they are not easy to ignore. How do the dancers deal with the many faces of forgetfulness, and more importantly, how do they deal with each other’s mistakes? Sometimes, the best that anyone can do is laugh it off and move on.

IT’S MYRTLE TIME!
Uh-Oh, Myrtle has gotten lost again. Everybody’s favorite 85 year old gal has lost her way in the big wide world. While out on her way to meet her heavy set friend Mavis for coffee Myrtle Hansen’s Chevy takes a wrong turn and winds up at Patrick’s Cabaret, in the wrong side of town While wandering through the joint Myrtle shares tales of why she NEVER trusts doctors, why the bread at communion should be changed to Wonder Bread, why Mavis has been under observation for her corns and how her lawn got on fire. WHEW. Bless her heart this woman needs someone to get up and let her sit down and rest a spell.
Todd Jay created the character of Myrtle after years of stifling repressed laughter listening to his grandmother talk as well as countless other weird funny old women that have crossed his path. Let’s face it……..old women are funny and in their own way, charming.

Mattson-Kjell Zust
singer/songwriter/recluse/patron saint of jilted trophy wives, has been called the “Tammy Wynette of emo” for lack of a decent genre/category. clever wit over rustic guitar and an accent that no one can quite place run rampant throughout each hymn for broken things. Mattson-Kjell is currently finishing over 12 dozen new songs in hopes to release 3-4 new albums within in the next two years. He’s also really bad at writing about himself due to his crazy-swedish humility.

 

Also, in case you were wondering, the latest Fresh Fruit appearance went off great. I’m really enjoying this opportunity to bring more people news of the happenings here at the Cabaret. If you didn’t catch it, you can listen online at http://www.kfai.org/node/89.

February

Holy Mother of Roddenberry, I can go outside today without my fingers instantly freezing into blocks of ice! Am I still in Minnesota? Or has the cold finally just deadened my nerves to the point where I can feel no pain?

In addition to this crazy tropical heat wave of 33 degrees Fahrenheit, the month of February is bringing in two open-call cabarets. Call me cheesy (remembering, of course, that you do so at your own peril), but I really think the open-calls exemplify theater at its very best, the adventure and the unpredictability and the thrill of the unknown all compressed down into two hours of sheer awesomosity.

Whoa. I could take that previous paragraph, put in between two slices of bread, and call it a ham and cheese sandwich.

It’s still true.

Anway, the first open-call cabaret of the month will be on the 7th and 8th from 8 to 10 PM. If you are within hearing range of me at this point, you should probably cover your ears to shield the tympanic membrane from a volume of squee I normally reserve for a particularly fluffy Bobby/Alex Criminal Intent fanfic, because the line-up sounds amazing. Kats D. Fukasawa will be presenting “Secret Affair of a Cherry Tree,” Joan Calof will honor immigrants and the impact they have had on our country in ”Roots,” Irita Foucault will perform a song and dance extravaganza, there’ll be a dance choreographed by Denise Armstead, and the Halau Hula O Ka Hoku Akua hula school will present “Ke Alaula,” or “The Awakening.” 

Also, don’t forget that Patrick’s has a short guest-spot on KFAI Fresh Fruit (90.3 Minneapolis, 106.7 St. Paul) the second Thursday of every month now. I may not be able to make it this time (do try to stifle your sobs at the thought of being without my nervous stammerings) but I’ll do my best to make sure we get a guest or two to bring you exciting new info.

For more information on the artists and their acts, visit www.patrickscabaret.org and take a look at the calendar.

Elements in Translation

Hey, y’all, Arturo Miles has a new show this Friday and Saturday, Elements in Translation. Seeing as the last show he guest-curated filled up every available seat, necessitated a row of people sitting on the floor, and packed the lobby to the extent that I had to stand on the counter to see the show–I would definitely urge you to be there before 7:30.

The ’Elements in Translation’ series continues at Patrick’s Cabaret.
aneka mcmullen
debra mcgee
epitome no question
arturo miles
amy sackett
b-boy j-sun
kenna sarge
vocalist ashley gold

This time featuring choreographers-

an evening of hip-hop dance,modern, jazz, breakin,spoken word,and singing.

 

 

 

 

 

 

Oh, and by the way, last week’s Spirit in the House=FANTABULOUS. Have I mentioned how much I want to kill people astronomically more musically or physically talented than me? (So, so much.) But then I wouldn’t get to listen to them sing and play musical instruments and dance, so I guess they’re safe. For now. *cue spooky music* Oh, and attending an Amy Salloway performance is now an official item on my Things to Do Again Before I Die list. The evening ended with a short preview film about the role of the queer tribal elder; if the eventual full-length movie is half as good it will still kick ass. Please visit www.gaywisdom.org to see how your contributions can help finish this important film.

Fresh Fruit and Spirit in the House (Spirit in the House!)

So if any of you listened to Fresh Fruit last Thursday you’ll get my “Spirit in the House!’ reference. And if not, well, why didn’t you? Still, all is not lost. You can listen at http://www.kfai.org/node/89. Dean Seal gives detailed and eloquent background on Spirit in House (both the annual tradition and the show going on tomorrow and Saturday) and whoever invented the word “um” sues me for trademark infringement. I did have fun, though, and you should go check it out.

Also, on a completely random side note, my voice sounds more like that of my older sister’s than I ever realized.

But! Time for ‘Spirit in the House’ info. Ta da!

January 16th and 17th at 8 PM

3010 Minnehaha Ave Minneapolis


Dean J. Seal presents

Spirit in the House

This time featuring:

Leslie Ball with Music of the Spheres.
Dean J. Seal with Backward Ecclesiastes.
Theater for the Thirsty presents ’Something Priceless for Cheap’
Steven Solberg with the film “Standing On The Bones of Our Ancestors”
with
Dance by Ransomed Messengers
and an
Original Monologue by Amy Salloway

Theater for the Thirsty presents

Something Priceless for Cheap
Songs and spoken word exposing broken hearts and bankrupt souls in the shadowed world of pornography.
With Vanessa Gamble and Kelley Larson

Ransomed Messengers is a inter-denominational Christian dance troupe seeking to share life journeys of struggle and hope through dance.

We dance in a variety of styles but mostly a mix of modern, jazz and interpretive dance. Our dances celebrate God’s glory and reflect the stuff of life – stories from the heart that can’t always be expressed just in words.


Amy Salloway
is the creator and performer of three original solo comedies — “Does This Monologue Make Me Look Fat?”, “So Kiss Me Already, Herschel Gertz!”, and “Circumference” — all of which began their lives at the Minnesota Fringe Festival and have gone on to tour to Fringes, theatres, colleges, festivals, conferences and events all over the US and Canada (and beyond!). She can often be seen in cabarets and group shows around the Twin Cities like Rockstar Storytellers, Cheap Theater, Balls, and Women Stand Up! For more info, check out www.amysalloway.com.

Steven Solberg presents “Standing On The Bones of Our Ancestors: Exploring The Role of The Queer Tribal Elder”

a 21-Minute Preview of a feature length documentary in progress that illuminates the altruistic and spiritual dimensions of what it means to be GLBTQ and the vital need for elders to emerge in our communities.

Fresh Fruit

No, I did not fall down a well without Lassie or a similar canine counterpart to rescue me. I had finals. Kind of like falling down a well, but more painful. And then I wasn’t in the Twin Cities for awhile, because I went home for winter break. But I’m back now! And exciting things are happening! Including that new sign in the little Patrick’s Cabaret garden! (If it turns out that said sign has actually been there for months, please don’t tell me. I tend to possess the observational capabilities of a concussed sea cucumber, and am therefore inordinately proud when I do manage to notice anything in a relatively quick fashion.)

But the most exciting new thing happening is that Leigh Combs has invited me to be on Fresh Fruit tomorrow to talk about the Cabaret! Fresh Fruit is a program aired on KFAI (90.3 Minneapolis, 106.7 Saint Paul) since 1978, making it the longest running Queer radio show in the country. It goes from 7:30 PM to 8:30 PM every Thursday. So tomorrow I make my premiere. *gulp* All my previous radio experience consists of watching my friend Colleen win a bajillion radio medals on the Eureka High School Speech Team. But I’m still totally psyched. (Am I allowed to say ‘psyched’ anymore? Or did I just time-warp deep into the past?) I’ll be talking about our new online gift store (blog post to come, in case you don’t catch the show) and interviewing Dean Seal about the newest Spirit in the House Cabaret (again, blog post to come, in case you don’t catch the show).